17th Biennale of Sydney: Interview with Artistic Director David Elliott / part 2/2:
“In the second part of the interview with David Elliott, the Artistic Director of the 17th Biennale of Sydney 2010, The Beauty of Distance, David Elliott gives an outlook on what to expect from the biennial and explains the meaning of the subtitle Songs of Survival in a Precarious Age.
David Elliott is a cultural historian whose main interests concern contemporary art, Russian avant-garde and the visual cultures of central and eastern Europe, Asia and the non-western world from the late nineteenth century. Beginning in the early 1980s, he formulated a series of pioneering exhibitions in one of the first programs to integrate non-western culture with contemporary art. He has published a large number of books, articles and catalogues on these subjects and has curated many exhibitions. He has also written extensively about the present-day role and function of museums and contemporary art.
Exhibitions he has conceived or worked on include: ‘Art and Power: Europe under the Dictators 1930–1945’ (1995); ‘Wounds: between democracy and redemption in contemporary art’ (1998); ‘After the Wall: art and culture in post-Communist Europe’ (1999); ‘Organising Freedom: Nordic art of the ’90s’ (2000); ‘Young Video Artists’ Initiative’ (2002); ‘Absences’ (2002); ‘Happiness: a survival guide for art and life’ (2003); ‘Africa Remix: contemporary art of a continent’ (2004); ‘Ilya and Emilia Kabakov, Where is Our Place?’ (2004); ‘Follow Me! Chinese Art at the Threshold of the New Millennium’ (2005); ‘Hiroshi Sugimoto’ (2005); ‘Tokyo-Berlin/Berlin-Tokyo’ (2005); ‘Bill Viola: Hatsu-Yume [First Dream]’ (2006); ‘From Ottoman Empire to Turkish Republic’ (2007); ‘Time Present, Time Past: Highlights from 20 Years of the International İstanbul Biennial’ (2007); and ‘The Quick and the Dead: Rites of passage in art, spirit and life’ (2009).
Interview with David Elliott, Artistic Director of the 17th Biennale of Sydney 2010 at Artane Gallery, Istanbul. September 9, 2009.”
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(Via VernissageTV art tv.)