Featuring Editor, Onajide Shabaka video works at Pivot Points, 15th Anniversary survey at MOCA, N. Miami, FL. Additional updates on Miami Art Exchange programs and services. 

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Among the featured artists is Miamiartexchange.com editor, Onajide Shabaka.

Pivot Points: 15 Years and Counting


Museum of Contemporary Art, N. Miami

22 March – 19 May, 2013

RECEPTION / 21 March @ 7 PM

MOCA’s 15th Anniversary in its Joan Lehman Building with major donations to the museum collection. Pivot Points: 15 Years and Counting showcases these recent acquisitions and works by many of the artists who are part of MOCA’s history. Pivot Points: 15 Years and Counting includes many large-scale installations, paintings, photographs, prints, film and video by local, national and international artists. 

Museum of Contemporary Art (MOCA)
Joan Lehman Building
770 NE 125th Street 
North Miami, Florida 33161

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"smoke signals: istwa, paisajes and allegories"

curated by ArtCenter alumnus William Cordova, will challenge what may be familiar perceptions of our surroundings through unconventional materials. Many of the materials these artists incorporate into their work are often sourced from traditional building materials, found objects and textiles. The exhibition proposes alternative methods of reconsidering our own presence and values.

smoke signals: istwa, paisajes and allegories

Recent participation in this exhibition included: Onyedika Chuke, Yanira Collado, Lourdes Correa-Carlo, Rashawn Griffin, Leslie Hewitt, Glexis Novoa, Howardena Pindell, Jerome Reyes, Carlos Sandoval de Leon, Onajide Shabaka, Noelle Theard, Robert Thiele, Anna Tsouhlarakis and Mary Valverde.
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We have received a good number of submissions and narrowed our selections to what we consider meaningful. We also have some site specific submissions that look very exciting. Thank you for your submission! We are now in the process of securing our location and dates. Keep watching for future updates.

Dirt became contemporary art with the Earthworks of the late 1960s, a kind of formalism that moved out of the gallery, into the ground and then out of town. It wasn’t for ecological concerns as is typical today, instead it tended to be conceptual and psychological. Now, however, land art has made a return for environmental reasons, and in the mix as well is the use of dirt and nature — nature is dirt, after all — as a timeless balm against the fragmentation of media culture. The dirt salve is the subject of at least four new books.

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CIFO Cisneros Fontanals Art Foundation


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